El Petróleo al por mayor de China que no Pinta Mínimo
 
 


PERUGINO, Pietro Apollo and Marsyas oil painting reproduction


PERUGINO, Pietro
Apolo y Marsyas
Apollo and Marsyas
Pintura identificación::  19842
 Ponen panel du de Musee Louvre, París.
Panel Mus??e du Louvre, Paris.

 
 
   
      


GUERCINO Apollo and Marsyas oil painting reproduction


GUERCINO
Apolo y Marsyas
Apollo and Marsyas
Pintura identificación::  29946
 el Petróleo mk67 en la lona 73 Pitti 3/8x80 11/16in, la Galería de Palatino
mk67 Oil on canvas 73 3/8x80 11/16in Pitti,Palatine Gallery

 
 
   
      


Jusepe de Ribera Apollo and Marsyas oil painting reproduction


Jusepe de Ribera
Apolo y Marsyas
Apollo and Marsyas
Pintura identificación::  32908
 mk84 1637. de Bruselas 202x255cm lona
mk84 1637.Brussels canvas 202x255cm

 
 
   
      


Jusepe de Ribera Apollo and Marsyas oil painting reproduction


Jusepe de Ribera
Apollo and Marsyas
Pintura identificación::  51273
 1637 Oil on canvas, 182 x 232 cm

 
 
   
      


RAFFAELLO Sanzio Apollo and Marsyas oil painting reproduction


RAFFAELLO Sanzio
Apollo and Marsyas
Pintura identificación::  63802
 1509-11 Fresco, 120 x 105 cm Stanza della Segnatura, Palazzi Pontifici, Vatican The shepherd Marsyas had challenged the god Apollo to a musical contest. Marsyas lost and as a punishment for daring to challenge a god he was flayed alive. The scene is an allegory of divine harmony triumphing over earthly passion. With its unrhythmical composition and its elongated figures, this scene is probably by an unknown hand, and not by Raphael.Artist:RAFFAELLO Sanzio Title: Apollo and Marsyas (ceiling panel) Painted in 1501-1550 , Italian - - painting : mythological

 
 
   
      


Giulio Carpioni Apollo and Marsyas oil painting reproduction


Giulio Carpioni
Apollo and Marsyas
Pintura identificación::  71805
 17th century Oil on canvas 85 x 100 cm

 
 
   
      
Giulio Carpioni
(1613 - 29 January 1678) was an Italian painter and etcher of the early Baroque era. Born probably in Venice, Carpioni studied under Alessandro Varotari (il Padovanino) and was also influenced by the work of Simone Cantarini, Carlo Saraceni and Jean Leclerc. He came into contact with Lombard art after a brief visit to Bergamo in 1631. In 1638 he settled in Vicenza and executed most of his work there. He painted history and bacchanals, and also sacred subjects of a small size, many of which are to be seen in the churches in the Venetian states. Paintings by him may be seen in the Galleries of Augsburg, Dresden, Vienna, Modena, and Florence. He was also an etcher; his best plates being St. Anthony of Padua, Christ on the Mount of Olives, The Virgin reading, and The Virgin with Rosary. He died at Verona. Carlo Carpioni, his son, was also a painter. Among his important works are the Apotheosis of the Dolfin family (1647) and the Allegory of the Grimani Family (1651), and altarpiece of Sant'Antonio da Padova, a Virgin and two saints, and a Triumph of Silenus in the Gallerie dell Accademia of Venice. He painted a series of canvases for the Oratory of San Nicola da Tolentino in Vicenza.
Apollo and Marsyas
17th century Oil on canvas 85 x 100 cm

Related Paintings to Giulio Carpioni :.
| The Conversation (mk35) | Fatherly roof | The Asuncion of Holy Mari Mary magdalene | previously wrongly called Madame Sophie de France | Aiermila wearing the black dress |

        
 
   
 

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